Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.

In the post-war Paris, a young Jewish boy whose parents were deported, met in the subway a well-off boy of the same age with whom he became friends. A second encounter with Max solitary character and rasping will mark him. With these two people the antipodes of one another he will reach adulthood.

We don't have an overview translated in English. Help us expand our database by adding one.

暂无英文版的简介，请添加内容帮助我们完善数据库。

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

TV Show Details

TV Show Details

The importance of the internet and social media platforms is undeniable, concerning their contribution to the freedom of speech; however, the boundaries are often overstepped under the dark cloak of anonymity.

A small, old-fashioned cafe in a suburban square, opposite the cemetery, the Hirondelle. Every day at half past six, the customers dance with their stories and tirades, totally amazing.